By lilly Joynes
Working for yourself doesn’t mean you’re on your own! As our host for the evening Dan Short put it, “Freelancers are alone, together. But we’re in the same boat.”
Hereâs a roundup of some of the best advice we heard from the panelists:
Dan Short (10+ years freelancing from coast to coast)
Dan is your hilarious realist. Heâs been around long enough to know whatâs what, and more importantly, how to put it in terms we can all actually understand.
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Building a portfolio:Â “Do the work you’re passionate about. If it’s cool and you can show it off, do it.”
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Setting the terms:Â âWrite a check that your butt can cash – thatâs the scope of agreement. Anything beyond the original requires a new contract or work-scope agreement, so itâs also a chance to renegotiate.â
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Getting paid: âDonât be afraid to be a squeaky wheel! Keep following up until you get what you were promised. You can organize other freelancers on a gig if theyâre in the same situation. Make sure you also check your contract to see if any late fees should be applied.â
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Heidi: âLearn how to speak frankly about money.â
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Heidi Zimmerman (15+ years of post experience in documentary features, narrative, and promotional media.)
Heidi is the lowkey expert. Sheâs not the loudest one in the room, but sheâs definitely one of the smartest! After editing videos âfor forever,â sheâs amassed a ton of practical advice on how to make a living as a freelancer.
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Contracts: “Get the rights to your work, and get it in writing. I now always put in my contract that I can use 5 minutes of my choosing – not theirs, since we never agree – for personal publicity. I also include that I should get final copies of the project. Point to the phrasing in your contract and people wonât mess around!”
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Soft introductions: âOffer your services casually, like âHey, Iâd be happy to give a second set of eyes on something youâre cutting and give you my feedback.â Sometimes itâs a few years down the road, but that leads to more work than you can imagine. Be professional, but donât go overboard to the point where they feel like they have to hire you.â
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Sharing the load:Â âDevelop a couple fellow relationships with people you can recommend when youâre not available. If youâre not available but you give the client someone else they can trust, youâll always be the first person they call.â
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Roland: âYou still solve their problem, even if you canât be part of the project.â
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Roland Gauthier (Co-founder and Executive Producer at Hinge;Â OMPA Board President)
Roland is one of those rare accessible gurus – the kind that has a thriving career but still makes time for the little guy. He offered his freelancing insights from the business-owner perspective.
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RFPs:Â âProvide something as close to what they want as possible – they want to know youâre a sure thing. But bring your extra something that sets you apart!â At the same time, he says âItâs very unlikely that youâll get paid for a bid or pitch, so gauge the potential value of a project against what they want from you.â
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Staying connected:Â âPeople move on from companies, so you need to form new relationships to keep yourself front of mind. Then you have to back good relationships up with great work – especially if someone isnât familiar with you.â
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Asking for help:Â âPortland is a lot friendlier and less cut-throat than some bigger markets, so you may be able to get a âcompetitorâ to give you advice.â
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Dan: “Find people who arenât threatened by you – if youâre junior, ask a senior – and have no reason not to help you.â
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Pints & Pixels is a monthly meeting for Portland’s VFX and Post community. Join the Facebook group to hear about their upcoming events.
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